{"version":"1.0","provider_name":"Revista Cult","provider_url":"https:\/\/revistacult.uol.com.br\/home","author_name":"Amanda Massuela","author_url":"https:\/\/revistacult.uol.com.br\/home\/author\/amanda\/","title":"Da viol\u00eancia e de suas hist\u00f3rias - Revista Cult","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"KXOrJaR1OI\"><a href=\"https:\/\/revistacult.uol.com.br\/home\/da-violencia-e-de-suas-historias\/\">Da viol\u00eancia e de suas hist\u00f3rias<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/revistacult.uol.com.br\/home\/da-violencia-e-de-suas-historias\/embed\/#?secret=KXOrJaR1OI\" width=\"600\" height=\"338\" title=\"&#8220;Da viol\u00eancia e de suas hist\u00f3rias&#8221; &#8212; Revista Cult\" data-secret=\"KXOrJaR1OI\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/revistacult.uol.com.br\/home\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/revistacult.uol.com.br\/home\/wp-content\/uploads\/2026\/03\/09_03_2026_CARROSSEL_Mit_SITE4.jpg","thumbnail_width":1667,"thumbnail_height":938,"description":"No centro do palco, dois corpos masculinos fracassam ao tentar se relacionar exclusivamente pela via da afetividade \u00edntima \u2013 porque esta est\u00e1 condicionada n\u00e3o somente pelo problema das classes sociais como tamb\u00e9m por quest\u00f5es geopol\u00edticas"}