{"version":"1.0","provider_name":"Revista Cult","provider_url":"https:\/\/revistacult.uol.com.br\/home","author_name":"Amanda Massuela","author_url":"https:\/\/revistacult.uol.com.br\/home\/author\/amanda\/","title":"Arrigo Barnab\u00e9, o homem dos crocodilos - Revista Cult","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"XpEB4ocMc7\"><a href=\"https:\/\/revistacult.uol.com.br\/home\/arrigo-barnabe-o-homem-dos-crocodilos\/\">Arrigo Barnab\u00e9, o homem dos crocodilos<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/revistacult.uol.com.br\/home\/arrigo-barnabe-o-homem-dos-crocodilos\/embed\/#?secret=XpEB4ocMc7\" width=\"600\" height=\"338\" title=\"&#8220;Arrigo Barnab\u00e9, o homem dos crocodilos&#8221; &#8212; Revista Cult\" data-secret=\"XpEB4ocMc7\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/revistacult.uol.com.br\/home\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/revistacult.uol.com.br\/home\/wp-content\/uploads\/2025\/01\/22_01_2025_CARD_Arrigo-Barnabe_SITE.jpg","thumbnail_width":1667,"thumbnail_height":938,"description":"A teatralidade costuma ser uma marca forte de suas apresenta\u00e7\u00f5es. Segundo ele, \u201co palco \u00e9 sempre uma celebra\u00e7\u00e3o. No palco, estou em cena da mesma forma que um ator, como um int\u00e9rprete. Ent\u00e3o, cada m\u00fasica, para mim, \u00e9 uma performance\u201d"}